In this video, I share 10 essential Dolby Atmos mixing tips curated from top industry professionals, complemented by my own commentary and insights to help you create better immersive mixes. From establishing proper spatial foundations to avoiding common pitfalls, these carefully selected techniques will help you create more natural-sounding Atmos mixes that effectively translate across different playback environments.

In this video, I demonstrate how to use INU (Immersive Nulling Up-mixer), a powerful and affordable plugin that converts stereo tracks into multichannel mixes for Dolby Atmos while preserving the original stereo fold-down. I'll walk you through the complete setup process in Reaper and show you how to use INU's features to manipulate direct and diffuse signals, control LFE and center channels, and adjust height and spatial positioning in your mix.

In this video, I demonstrate how to set up and use Headitude, a free macOS application that captures head tracking data from Apple AirPods and guides you through integration with both Dolby Atmos Renderer and Cubase/Nuendo. I explain the unique features of Headitude, including its position maintenance and flexible OSC message formatting, while showing how Windows users can benefit from this setup by using an Apple Silicon Mac as an audio interface.

In this video, I show you how to get started with Dolby Atmos music production using free tools, demonstrating a complete workflow with Reaper and the Fiedler Audio Dolby Atmos Composer Essential plugin. I walk through everything from basic setup to exporting master files, and even show how to achieve accurate monitoring using headphones with head tracking technology, making Dolby Atmos production accessible without requiring an expensive studio setup.

In this video, I address comments and clarify misconceptions about my recent Dolby Atmos videos, emphasizing that while professional Atmos setups are expensive, hobbyists and semi-professionals shouldn't be discouraged from entering the Atmos production space. I explain that most consumers can't fully experience high-end Atmos productions due to limitations in their playback systems, so bedroom producers can start with more accessible setups and still create competitive Atmos mixes.

In this video, I dive into the exciting new features of Virtuoso 2, the latest update to APL's popular binaural rendering plugin. From new HRTFs and enhanced head tracking to a customizable EQ and the ability to play Dolby Atmos master files in the standalone version, I'll guide you through the key improvements and discuss their potential impact on your audio workflow.

In this video I discuss the surprising truth about why your Dolby Atmos home setup, regardless of cost, can't match the Atmos studio experience due to little-known technical limitations in the delivery format.

In this video, I demonstrate how to use Sound Particles Space Controller with a smartphone to pan Dolby Atmos objects in Pro Tools, offering a unique and intuitive method for three-dimensional audio positioning despite some workflow limitations.

In this reaction video, I analyze Colt Capperrune's video about his first Dolby Atmos mix, discussing key aspects of Atmos production, the importance of headphone optimization, and the challenges of creating immersive audio experiences for both studio and consumer environments.

This video provides a comprehensive guide on using the external Dolby Atmos renderer with Pro Tools, covering two different methods of implementation, setup processes, exporting, and working with re-renders.

This tutorial provides a comprehensive walkthrough on setting up and using the internal Dolby Atmos renderer in Pro Tools, covering everything from basic configuration to advanced features like track presets, live re-renders, and working with master files.

In this video, we explore AudioMovers' Omnibus 3 and its integration with Dolby Atmos and binaural rendering, revealing why this powerful tool might be overkill for many users' audio workflows.

In this video, we compare and rank 20 popular Digital Audio Workstations based on their Dolby Atmos capabilities, providing insights for both professionals and hobbyists looking to dive into spatial audio production.

In this video, we explore the Fiedler Audio Mastering Console for Dolby Atmos, a standalone tool that allows users to easily remaster Dolby Atmos master files using the Gravitas dynamics processing module for tasks such as adding sidechain compression without the need for a digital audio workstation.

In this video, we explore the features and quirks of Lumina Delay, an affordable and intuitive multi-tap delay plugin from Mountain Road DSP that can handle immersive audio formats up to 7.1.4.

In this video, we explore the integration of Fiedler Audio's SpaceLab and Gravitas plugins with our Dolby Atmos Maschine setup, creating immersive reverbs and dynamic sidechaining effects that showcase the endless creative possibilities of this powerful combination.

In this video, we explore the surprisingly easy and cost-effective process of producing Dolby Atmos within the Native Instruments Maschine ecosystem using the Fiedler Audio Dolby Atmos Composer plugin.

Bonus video: this is a shortened version of our most recent podcast episode.

In this video I explore Harrison Mixbus 10's post-fader inserts and its groundbreaking Dolby Atmos implementation on Linux.

This video demonstrates an advanced routing setup for using Dolby Atmos in Harrison Mixbus 10 within a stereo mixing environment, utilizing Ginger Audio's GroundControl Sphere and Apple Spatial Audio Monitoring with AirPods to seamlessly switch between immersive 7.1.4, binaural, and stereo outputs.